Inside, though, Marshall employs modern circuit boards rather than the traditional turrets. In collaboration with Algam Benelux we wrote the following review about the Marshall SV20C Studio Vintage 1959SLP guitar amplifier. Other non-vintage features include a mono effects loop and a 1/4" direct-out jack. Thanks to our tight relationship with Marshall, Sweetwater's always on the cutting edge of their latest designs, custom models, and limited-edition gems. It’s approximately as powerful as an 18-watt, but it employs a pair of EL34s—the same tubes used in the big plexis. Privacy Policy | An effects loop makes integrating your pedals and external processors a breeze. So, as much as I still get a thrill of playing through and looking at them, I realize my Marshall heads and cabinets are way too loud and heavy to lift, so what to do without attenuating them? Especially when you want to have that big Plexi sound but you don’t have the room or money for the original 1959. This is the iconic amplifier that defined the sound of rock ’n’ roll for generations of guitar players, and it can be seen on countless stages of yesterday and today, including Woodstock. Still, this U.K.-made combo gets closer to the plexi sound than an 18-watt. Cleans work well here too, but are better served through the Low Sensitivity input, which also works superbly with pedals.

The tone is pure Sunset Strip hard rock, West Coast heavy metal and Bay Area thrash - a signature sound of Marshall heat that mixes crumbly overdriven saturation with high-end sizzle that makes plucked notes pop out along with a tight bottom end for rhythmic chugging and muting. It’s solid work, employing heavy-gauge wire for the off-board connections.

This Marshall studio line was announced at Winter NAMM 2019 and it features these relatively small studio amplifiers in which both a combo and head variant are available. Sweetwater Sales Engineers help you buy music gear with confidence. From beginners to rock stars, millions of music makers rely on our Sales Engineers' expertise to help achieve their musical goals. Consider yourself lucky, because the Marshall Studio Vintage sports features not found on the original 1959 Super Lead. This DI out(Clip 3) doesn’t produce a realistic speaker sound, though you could get convincing results using software impulse responses or a hardware speaker modeler such as the Universal Audio Ox.

Do you want a sound like Jimi Hendrix or Led Zeppelin? This is the iconic amplifier that defined the sound of rock ’n’ roll for generations of guitar players, and it can be seen on countless stages of yesterday and today, including Woodstock. Bath Then this might be the amplifier for you. The sound varies, in terms of John Mayer, to mode 2: Only Heart (Heavier Things), to mode 4: Perfectly Lonely (Battle Studies), to mode 5: Good Love Is On The Way (Where the Light Is).

In fact, Jim was a drummer, whose small shop in Hanwell, London, founded in 1962, sold drums, cymbals and accessories.

JVM, Astoria, Studio Vintage & Classic and DSL20 all have it. Needless to say, Marshall would never have survived on looks alone, which is why the thunderous Marshall sound has been revered throughout its range of renowned amplifiers for more than 50 years. In our video review, the amp is played with a Les Paul and with a nice clean sound. Phone Hours |

Like all amplifiers in this studio line, this amp is provided with a three-position standby switch for either 20W, 5W, or standby. I’ve owned a few JCM800 heads, and the SC20H took me back to what it felt like to hear a Marshall 2203. The EL84s in an 18-watt Marshall distort at relatively low levels and generate crackling, Vox-like highs, while the EL34s used here are more mid-focused and have higher headroom. It’s got an attractively craggy upper-mid presence that emphasizes the distortion’s “tooth” and keeps tones from sounding excessively compressed. No question: The SV20C captures the extreme dynamic response for which plexis are famed. Also, available in the Marshall Studio ranges are the Marshall Studio Jubilee Amps and the Marshall Studio Vintage Amps. $1499. That amp became the JTM 45, and the same design principles that built it lead to other iconic models such as the Bluesbreaker, Plexi, JCM 800, and Silver Jubilee. the coveted Plexi. THE BOTTOM LINE: The Marshall Studio Vintage SV20H nails hallowed Plexi tones with a mighty roar, while the Studio Classic SC20H is a junior JCM 800 that rips for hard rock and metal. The 10 best pedalboard power supplies 2020: improve your pedalboard with our recommended power supplies, D’Angelico commemorates 50 years of the Grateful Dead’s American Beauty with special-edition Premier SS semi-hollow, 4 guitar tricks you can learn from Keith Richards, Mini-humbuckers: exploring the tonal magic of Seth Lover's 'other PAF' humbucker. The treble of this amp is sharp and aggressive while the bass is very clean and responsive and captures the full sound.

The Studio Vintage SV20H is based on a four-input, two channel, non-master volume 1959SLP Super Lead 'Plexi,' while the Studio Classic SC20H is derived from a single-channel, High/Low input, master volume JCM800 2203 Marshall. The Verdict

The Studio Vintage SV20H is based on a four-input, two channel, non-master volume 1959SLP Super Lead 'Plexi,' while the Studio Classic SC20H is derived from a single-channel, High/Low input, master volume JCM800 2203 Marshall.

Sweetwater Sound In … By adjusting the normal channel you increase or decrease the thickness of your overdrive to the edge of distortion. Hooked: Blackberry Smoke's Charlie Starr on ZZ Top's "Nasty Dogs and Funky Kings", 3. We've played them all, from vintage JTM45s and the ultra-cool Plexi reissue to modern handmade masterpieces such as the JVM410. Sweetwater's Sales Engineers are regarded as the most experienced and knowledgeable professionals in the music industry, with extensive music backgrounds and intense training on the latest products and technologies. Lighter Loads But with their open-back cabinets and dual EL84 power tubes, 18-watt Marshalls don’t entirely replicate the overdrive characteristics of their bigger EL34-based cousins, or the distinctive phase cancellation of their 4x12 cabinets. On the contrary, the SV20H blew me away with its smoother and more refined overdriven tones. Learn More. Speaker setups per connection that are possible: So in total, you could have connected 5 speakers: This amplifier is perfect for gigging guitarists or studio musicians. BA1 1UA.

Immediately after unboxing, I applied the super-lazy “Don’t Make Me Come Over There” test. This amp and its spinoffs provide unmistakable Marshall crunch at relatively reasonable levels. © Copyright 2020 SoundBay Pty Ltd. All rights reserved.

In Clip 4, you hear the same performance four ways: through the normal channel, then the normal channel jumpered to the bright channel, then the bright channel alone, and then the bright channel jumpered to the normal channel again, but via different jacks.

This new series from Marshall gives the option to connect additional speakers. If you still need more decibels, you can connect external speakers and use the SV20C as a stack. What the SV20H and SC20H share in common is they are dual EL-34 tube powered, with three ECC83 preamp tubes, a rear panel with multiple speaker-outs, unbalanced D.I. It’s been 54 years since Pete Townshend persuaded Jim Marshall to create the first 100-watt guitar amp: the Model 1959 Super Lead. Future Publishing Limited Quay House, The Ambury,

Both heads look damn near authentic, too. Worried about disturbing your neighbors?

Variations on Vintage 5501 U.S. Hwy 30 W, Fort Wayne, IN 46818 Enter Marshall’s new SV20C Studio Vintage, specifically designed to capture the 1959 sound in a compact 20-watt combo. If the back of your amp has 5 speaker outputs labelled "1 x 16, 2 x 16 1x 8 & 2 x 8 1 x 4 class 2 wiring" then you are good to go. SV20C Studio Vintage. This two-tube architecture means that the SV20C is actually closer kin to dual-EL34 50-watt plexis than to 4xEL34 100-watt plexis.

At 20 loud watts, the SC20H doesn’t hold back any in-your-face crunch or volume when plugged into the High Sensitivity input and cranking the pre-amp gain. Jim Marshall himself was not a guitarist. Both heads look damn near authentic, too. Townshend, Clapton, and Hendrix, to name a few, all played the 1959 Super Lead. Store Hours, If you have any questions, please call us at (800) 222-4700.

To sample some of the musicians who have used the original version: Jimmy Page, Angus Young, Randy Rhoads, Slash, and John Frusciante. Visit our corporate site. There are countless "British"-style guitar amplifiers out there, but take it from the lifelong guitarists and tone connoisseurs at Sweetwater, when it comes to Marshall tone, there's nothing like the real thing. Like all amplifiers in this studio line, this amp is provided with a three-position standby switch for either 20W, 5W, or standby. Levels aside, the two tones are nearly identical.