The unit, led by Sgt. This presentation analytical talks about all the messages and themes involved in the film The Hurt Locker. Description, analysis, and more, so you can understand the ins and outs of The Hurt Locker. The other members of the squad, Sgt.
Get all the details on The Hurt Locker: Beckham. "��"����������} 0 �8+� endstream endobj 182 0 obj <>stream hބ�Mo�0�����4�M�$!&���CP�v���E���0��>D�Q�f�~��uX!0� �����XQ�)Ąc�=`��K!�����x�S�9I�G�+�� ��FY`�T��zF�`.|�����൱�TX�N2�r_Z���}���s�K[��TV_����/R��������r������Z��6�cTX��Vb Bm!�u����.�Esdz�2��=X3��+��v�X�����\��%��9*���.o��NV�b�P|��0F8�g����T忸^Ǻp��5/�~����,�҇��������Y3i���. Bigelow knows that you can't build suspense with shots lasting one or two seconds. An intense portrayal of elite soldiers who have one of the most dangerous jobs in the world: disarming bombs in the heat of combat. Back home in the States, James is unable to fully adjust to family life, and returns for another tour of duty in Iraq. Using heart wrenching details, Turner describes the acts done by soldiers during the war. The soldiers’ struggle begins in Baghdad, where the long-standing leader of the squad, Sgt. His love for his son is evident in the tender manner in which he cradles the child, but as he talks to his family about his experiences in the field in a manner of almost winsome longing: it is obvious that he would rather be somewhere else. I started analyzing the technique, thinking about the timing, the rhythm, the key, etc. He also wrote the superb "In the Valley of Elah" (2007), with Tommy Lee Jones as a professional Army man trying to solve the murder of his son who had just returned from Iraq. Most of these projects have received critical respect for their worthy intentions but they have all failed commercially, with audiences unwilling to visit the multiplex to see a Hollywood version of the combat footage, or the grief of bereaved families that has become a fixture of the evening news. Staff Sergeant William James, a soldier known for his ability to disarm bombs whilst under fire, joins his latest detail in Iraq and finds he is an unwelcome presence: his new teammates, Sergeant JT Sandborn and Specialist Owen Eldridge, are mourning the loss of their previous commanding officer, Sergeant Matt Thompson, whose zen-like approach to bomb disposal is immediately contrasted by James who, comparatively, behaves like a bull in the proverbial china shop. The suspense is real, and it is earned. “The Hurt Locker” is a deeply moving poem about the Iraq war, written by Brian Turner. They take the highest risk in order to protect both civilians and American troops.

Establishing overhead shots and sweeping pans are not part of the aesthetic; much of the suspense of The Hurt Locker stems from the unknown, the threat of enemy – or friendly – fire, which could be waiting on the next patrol, around the next corner, or beyond the next road block. Directory of World Cinema: American Independent, Edited by John Berra, published by Intellect Books, Bristol, UK / Chicago, USA. Sanborn and his men provide cover fire, scan rooftops and hiding places that might conceal snipers, and assist James into and out of his heavy protective clothing. He works by the book. The Hurt Locker strips away such iconography to capture ordinary people undertaking day-to-day duties in a morally-questionable international conflict.
Menu. Film Education is not responsible for the content of external sites. It displays combat at its best in Iraq. I had to deconstruct all the instruments in my mind while listening to music – drums, bass, all the sound layers. Baghdad, in 2004, three soldiers of an Army bomb-disposal unit are investigating a report of an improvised explosive device (IED). Sanborn (Anthony Mackie), head of the support team that accompanies James.

He cares not for medals. He's a bomb disposal expert sent to replace Sgt. Rather than relying on a traditional three-act structure, and the mentor-student conflict that is characteristic of the American military movie, or the fatalistic relationships that provide the dramatic friction in Bigelow’s own work – such as the fetishistic cop thriller Blue Steel (1989) or her cyberpunk excursion Strange Days (1995) – The Hurt Locker opts for an episodic narrative, one that probably stems from screenwriter Mark Boal’s prior experience as a war correspondent. The Bravo Company's bomb disposal unit, currently stationed in Baghdad, comprises US Army Sergeant First Class Will James, Sergeant JT Sanborn, and Specialist Owen Eldridge. Sanborn is a skilled, responsible professional. The latest news, articles, and resources, sent to your inbox weekly. A loud blast of rock music plays on the soundtrack, and it is clear that this is how James sees himself when he is putting his life on the line on foreign soil: a rock star amongst soldiers, always aiming to top the previous ‘performance’. When it’s over, nothing has been said in so many words, but we have a pretty clear idea of why James needs to defuse bombs. By contrast, Sanborn is all by the books, knowing his place and duty and trusting others in the army to carry out their assignments just as well as he does. By comparison with those films, Kathryn Bigelow’s The Hurt Locker arrived ‘under the radar’, much like the insurgent IEDs (improvised explosive devices) that her mismatched team of soldiers must dismantle if they are to make it through their tour of duty largely unscathed. This is all the more remarkable because in certain scenes, it seems fairly certain that the bomb maker is standing in full view — on a balcony or in a window overlooking the street, say, and is as curious about his bomb as James is. An Academy-Award-nominated performance by Tommy Lee Jones could not generate interest In the Valley of Elah, while a positive Sundance reception for the John Cusack vehicle Grace is Gone did not lead to wide distribution. The action sequences are excellent, but it is the small, telling, explorations of character that linger: a heavy after-hours drinking session which lurches uncomfortably from joking to a dark night of the soul; James opening a juice box for his fellow soldier whilst pinned down by sniper fire in the desert; Sandborn breaking down in the final days of the tour and demanding that James explain how he keeps his sanity amidst the chaos. h�̓�J�@�_e����(�0��1$�J�Qh�$+ķw�`�2�;g����À� n(P�`���$��)t��PN�֟o|��Ԇ V���*r�^��/)e��k�c��u��m\�m����uZP`Z���`ؙM��惎c���0\�'L��t0Wr6�Wj6���D#�JY�…�nw�t}��0��4@I�yv8����_8�Y��?8tt%8�] �Z��W�ÈՖE/��Lg��h��\�QK4��? Sanborn gives him constant audio feedback that James hears inside his helmet. Log In. It tells the story of a U.S. Army Explosive Ordnance Disposal unit in the Iraq War. The Hurt Locker An Iraq war film that thankfully focuses more on character development rather than heavy-handed political messages (and consequently becomes more meaningful than other offerings in this genre). The Hurt Locker is about the long, painful endgame in Iraq, the asymmetric nightmare in which the military cannot engage the enemy in any meaningful … The man before him in this job got himself killed. When a new sergeant, James, takes over a highly trained bomb disposal team amidst violent conflict, he surprises his two subordinates, Sanborn and Eldridge, by recklessly plunging them into a deadly game of urban combat, behaving as if he's indifferent to death. Matt Thompson, a long-standing member of the team recently killed while disposing of an improvised explosive device. Also based on fact. However, while those films were undeniably exciting and technically proficient, they were firmly rooted within Hollywood genre and the folklore of the American outlaw, their moments of psychological insight occasionally at odds with the mythic sensibility applied to main protagonists.

Eldridge, on the other hand, is an insecure soldier constantly worried that an error or misjudgment on his part will lead to the death of an innocent civilian or a military colleague. The post-9/11 era has led to the political engagement of filmmakers working both within the studio system and on its industrial margins, resulting in a series of films that examine the effect of American military presence on foreign soil, both in the field and back in the United States. Bigelow uses no phony suspense-generating mechanisms in this film. Log in.

The title refers to the place deep inside where these men put away their pain, frustration and fear, and Bigelow expertly conveys James’ ability to substitute emotion with adrenaline; an unlikely ‘hero’ and team leader, James (portrayed brilliantly by Jeremy Renner) is not a typical ‘action man’ and Renner’s somewhat pudgy features and short stature would usually find him lost amidst an ensemble in a Hollywood war epic rather than taking centre stage. The Hurt Locker (2009) directed by Kathryn Bigelow.